Vincenzo Fiore Marrese

Curriculum Vitae

Academic History

Certified Teacher of Art and Art History, Ministry of Education, University and Research of the Italian government
Postgraduate Course as Certified Teacher of Art, Art History and Technical Drawing, Academy of Fine Arts of Florence, Italy (Accademia di Belle Arti di Firenze), Ministry of Education, University and Research of the Italian government
Master of Fine Arts, Academy of Fine Arts of Florence, Italy, in collaboration with the Department of Humanities and of Biology, University of Florence, Italy
Master of Fine Arts, 110 and honor (highest possible grade in the Italian system), Academy of Fine Arts of Florence, Italy (Accademia di Belle Arti di Firenze). Thesis Title, “Conoscenza e Creatività” (“Knowledge and Creativity”). Collaboration with the Department of Humanities and the Department of Biology, University of Florence, Italy
High school diploma in Artistic Studies, National Art Institute of Florence in Italy
High school diploma in Artistic Studies, National Art Institute of Florence in Italy (Liceo Artistico Statale di Porta Romana e Sesto Fiorentino, già Istituto Statale d’Arte di Firenze)

Grants

2023, Residenzstipendium, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Published Works

Marrese V.F. 2022, “Point-of-view Performances” in “Meta.space,” OÖ Landes-Kultur, DISTANZ, Berlin, Germany, 2022, ISBN: 978-3-95476-536-2
Marrese V.F. 2022, “Point-of-view Performances” in “Meta.space – Visions of Space from the Middle Ages to the Digital Age,” edited by Alfred Weidinger, Fabian Müller-Nittel and Markus Reindl / OÖ Landes-Kultur GmbH, published by DISTANZ Verlag GmbH, Berlin, Germany, 2022, ISBN: 978-3-95476-536-2

A big white book with a white cover and the title ’Meta space’. The word ’meta’ is inscribed in a red rectangle, while the word ’space’ is inscribed in a smaller green rectangle. The book appears to be floating in a blue background with no visible surroundings. — “Meta.space – Visions of Space from the Middle Ages to the Digital Age,” designed by Studio Yukiko, DISTANZ, 2022

Artistic Residencies

2024, Landschafts- und Kunstverein Rietzer Berg, Brandenburg, Germany
2024, Kunst-Eremitage, Landschafts- und Kunstverein Rietzer Berg, Landschaftspark Rietzer Berg, Kloster Lehnin, Brandenburg, Germany
2023, 11. Internationaler Sommercampus, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2023, 11. Internationaler Sommercampus, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2022, Liebig12, Berlin, Germany
2018, “Wärmflasche,” Soulkostel, Czech Republic
2018, “Wärmflasche,” curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Czech Republic

Work Experiences

Selection of Exhibition History, Time-Based Artworks, Artist Talks and Presentations

2024

Upcoming — 2024, Group exhibition, Die Höle festival, curated by C.A.L. Perspectives, Theater Expedition Metropolis (ExMe), Berlin, Germany
2024, “Symbiotic Gardening as Art,” outdoor art installation, realized within the frame of Landschafts- und Kunstverein Rietzer Berg, Landschaftspark Rietzer Berg, Kloster Lehnin, Brandenburg, Germany
2024, “Symbiotic Gardening as Art,” outdoor environmental art installation in situ, realized within the frame of Kunst-Eremitage’s artist residency, Landschafts- und Kunstverein Rietzer Berg, Landschaftspark Rietzer Berg, Kloster Lehnin, Brandenburg, Germany
2024, “Full,” LATITUDES, “Ecología, Performance y Corporeidad” Galería of the Centro Boliviano Americano, Santa Cruz de la Sierra, Bolivia
2024, “Full,” within the frame of LATITUDES, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, Bolivia, América del Sur, “Ecología, Performance y Corporeidad” Galería of the Centro Boliviano Americano, Santa Cruz de la Sierra, Bolivia

2023

2023, Group exhibition, festival “preserve memories - provide energy” - third edition, Xelor Kesselhaus, Berlin, Germany
2023, Group exhibition, “Collectiveness In Space,” Experimentdays Relaunch, Zusammenstelle, Rathausblock, Mayer Pavilion, Adlerhalle, Berlin, Germany
2023, Group exhibition, “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion, Adlerhalle, Dragonerareal, Berlin, Germany
2023, Group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen,” Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2023, Zweiter Atelier-Rundgang, open studios exhibition, within the frame of the “11. Internationaler Sommercampus,” ehemaliges Gericht, former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2023, Erster Atelier-Rundgang, open studios exhibition, within the frame of the “11. Internationaler Sommercampus,” ehemaliges Gericht, former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2023, „böse Pläne“, première, opening “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen,” Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2023, „böse Pläne“, “Evil Designs,” première, within the frame of the group exhibition opening “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen,” Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany
2023, “Regelwerke,” artist talk, Third Room, Leipzig, Germany
2023, “Regelwerke,” artist talk, within the frame of Third Room, Besser Leben, Leipzig, Germany

2022

2022, ART Cologne 2022, book launch, Marrese V.F. 2022, “Point-of-view Performances” in “Meta.space” ed. by OÖ Landes-Kultur, DISTANZ, Berlin, Germany, 2022, Koelnmesse, Section: Editions, DISTANZ, Cologne, Germany
2022, ART Cologne 2022, book launch, Marrese Vincenzo Fiore 2022, “Point-of-view Performances” in “Meta.space – Visions of Space from the Middle Ages to the Digital Age,” edited by OÖ Landes-Kultur GmbH, published by DISTANZ, Berlin, Germany, 2022, Koelnmesse, Section: Editions, DISTANZ, level 11.3, booth A25, Cologne, Germany
2022, “Aesthetic regulations,” within the frame of “krude ohne bude. Eine Abschiedsausstellung,” Projektwohnung „krudebude“, Leipzig, Germany
2022, Internationale Konferenz „Die globale DDR – eine transkulturelle Kunstgeschichte“, TU, Albertinum Museum, Dresden, Germany
2022, Internationale Konferenz „Die globale DDR – eine transkulturelle Kunstgeschichte (1949–1990)“, Technische Universität Dresden, Albertinum Museum, Dresden, Germany
2022, “Achilles and Tortoise,” Kornieieva-Marrese duo, Performing Arts Festival Berlin, Liebig12, Berlin, Germany
2022, “Achilles and Tortoise,” re-enactment with variations, performed three times, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany
2022, “Reorder power structures,” première, festival “preserve memories - provide energy,” Liebig12, Berlin, Germany
2022, “Reorder power structures,” première in three chapters, festival “preserve memories - provide energy,” Liebig12, Berlin, Germany
2022, “About age-based targeting,” première, Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
2022, “About age-based targeting,” première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
2022, “To make landfall I,” première, Latitudes Hybridas, Santa Cruz de la Sierra, Bolivia
2022, “To make landfall I,” première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia

2021

2021, “I (don’t) know the spell,” première, Performance November - Kyiv International performance art days, curated by T. Kornieieva, studio 312, AKT, Art-Zavod Platforma, Kyiv, Ukraine
2021, “I (don’t) know the spell,” première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, AKT, Art-Zavod Platforma, Kyiv, Ukraine
2021, “Achilles and Tortoise,” re-enactment, Kornieieva-Marrese duo, Gallery Center424, Belgrade, Serbia
2021, “Achilles and Tortoise,” re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice,” Odžaci, Voivodina, West Bačka District, Serbia
2021, “Achilles and Tortoise,” première, Kornieieva-Marrese duo, IMAF, Gallery SULUV, Novi Sad, Serbia
2021, “Achilles and Tortoise,” première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
2021, “secret and inaccessible,” reading, Berlin Spoken Word - Party, Badehaus Berlin, Berlin, Germany
2021, “Der Weg der Kohle,” première, festival “preserve memories - provide energy,” Museum Kesselhaus Herzberge, Berlin, Germany
2021, “Biotic community,” installation, festival “preserve memories - provide energy,” Museum Kesselhaus Herzberge, Berlin, Germany
2021, “post performance,” re-enactment with variations, APAFBA, AUSTRAL desde lo VIRTUA,L, Arterial Performance Lab, Centro Cultural Paco Urondo, UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina
2021, “post performance,” re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUA,L organized under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina
2021, “post performance,” première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany
2021, “Cordone,” première, artistic collaboration with Live Art Lab, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine

2020

2020, “It’s time,” première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF, Novi Sad, Serbia
2020, “It’s time,” première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, Novi Sad, Serbia
2020, “There was a deer in the darkness,” reading, Offene Bühne, ARCANOA, Berlin, Germany
2020, “I don’t think you realise what I’m talking about,” Bio-Net-Work, Dhaka, Bangladesh
2020, “I don’t think you realise what I’m talking about,” Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, Dhaka, Bangladesh
2020, “Community Standards,” première, Teatro Espace, Torino, Italy
2020, “Community Standards,” première, Moving Bodies, Festival online_Blu Notte, Teatro Espace, Torino, Italy
2020, “People also ask,” première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany
2020, “Not from Us,” reading, Schaunwama, BAIZ - Kultur- und Schankwirtschaft, Berlin, Germany

2019

2019, “Body’s Law,” re-enactment with variations, Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
2019, “Body’s Law,” re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
2019, “Strike,” re-enactment with variations, IMAF, Gallery SULUV, Novi Sad, Serbia
2019, “Strike,” re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
2019, “Body’s Law,” re-enactment with variations, IMAF, Bivši Dom Omladine, Odžaci, Serbia
2019, “Body’s Law,” re-enactment with variations, IMAF International Multimedial Art Festival, Bivši Dom Omladine, Odžaci, Voivodina, West Bačka District, Serbia
2019, “Body’s Law,” re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Torino, Italy
2019, “Strike,” première, Spieltrieb, Projektwohnung „krudebude“, Leipzig, Germany
2019, “Suspended Sentence,” première, Vital Signs, Parco della Nave, Arezzo, Italy
2019, “Suspended Sentence,” première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
2019, “Body’s Law,” re-enactment with variations, Festival Žižkovskà Noc, Cross Attic, Prague, Czech Republic
2019, “Body’s Law,” re-enactment with variations, performed three times, Festival Žižkovskà Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic
2019, Collaborative performance, première, artistic collaboration with the artists of the D’Lab 2019, D’Lab | Dhaka Live Art Biennale, Edge Gallery – Bay’s Edgewater, Dhaka, Bangladesh
2019, “Body’s Law,” re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Dhaka, Bangladesh
2019, “Body’s Law,” re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh

2018

2018, “Pull it Down” (“Put it Down”), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Czech Republic
2018, “Body’s Law,” re-enactment with variations, Semio Theatre, Kallithèa, Athens, Greece
2018, “Body’s Law,” re-enactment with variations, “Σημειόσεις” στο Θέατρο Σημείο (Notes at Semio Theatre), curated by Teatro Anatomico, Θέατρο Σημείο (Semio Theatre), Kallithèa, Athens, Greece
2018, “Body’s Law,” re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine
2018, “Across the Body,” re-enactment with variations, The Body’s Voice, Vittorio Emanuele square, Osnago, Lecco, Italy
2018, “Body’s Law,” re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
2018, Presentation of my body of work, artist talk, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
2018, “Body’s Law,” re-enactment with variations, Free Riga Creative Hive D27, Riga, Latvia
2018, “Body’s Law,” première, Starptelpa, Kaņepes Kultūras centrs, Riga, Latvia
2018, “Body’s Law,” première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
2018, “Body’s Law,” sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom

2017

2017, “Across the Body,” re-enactment with variations, XFORMEET.IT 2017, Biblioteca Civica Agorà, Lucca, Italy
2017, “Across the Body,” re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy
2017, “Across the Body,” re-enactment with variations, Performance Art Bergen Open Vaskerelven 8, Bergen, Norway
2017, “Across the Body,” re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
2017, “Across the Body,” re-enactment with variations, Corpus Mine, Copper Mine Museum, Montecatini Val di Cecina, Pisa, Italy
2017, “Across the Body,” re-enactment with variations, Corpus Mine, curated by Ylenia Rose Testore, Copper Mine Museum, Montecatini Val di Cecina, Pisa, Italy
2017, “Across the Body,” re-enactment with variations, Serate Iluminate Festival, PAC180 – sculpture park for contemporary art, Livorno, Italy
2017, “Across the Body,” re-enactment with variations, Serate Iluminate Festival, curated by Riccardo Bargellini, PAC180 – sculpture park for contemporary art – residential treatment center for mental illness Franco Basaglia – historical garden, Livorno, Italy
2017, The relationship between the concepts of difference and colour, talk, Qualitative Ontology and Technology research unit, Faculties of Literature and Philosophy, University of Florence, Firenze, Italy
2017, “Differenza e colore” (The relationship between the concepts of difference and colour), talk, Qualitative Ontology and Technology (Qua-Onto-Tech) research unit, 19th of June, Faculties of Literature and Philosophy, University of Florence, conference hall, Firenze, Italy
2017, “Across the Body,” re-enactment with variations, Icché Ci Vah Ci Vole Festival, Villa Favard Rovezzano, Firenze, Italy
2017, “Across the Body,” re-enactment with variations, Icché Ci Vah Ci Vole Festival, curated by Valerio Bellini, Villa Favard Rovezzano – urban park, Firenze, Italy
2017, “Across the Body,” re-enactment with variations, Inchiostri Ribelli, La Polveriera – former convent of Sant’Apollonia, Firenze, Italy
2017, “Across the Body,” re-enactment with variations, Inchiostri Ribelli - Tattoo & Riot Arts Festival, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
2017, “Across the Body,” re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
2017, “Across the Body,” re-enactment with variations, La Polveriera – former convent of Sant’Apollonia, Firenze, Italy
2017, “Across the Body,” re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
2017, What is absent in a drawing but should be present?, talk, Qualitative Ontology and Technology research unit, Faculties of Literature and Philosophy, University of Florence, Firenze, Italy
2017, “Ciò che non c’è ma ci dovrebbe essere in un disegno” (What is absent in a drawing but should be present?), talk, Qualitative Ontology and Technology (Qua-Onto-Tech) research unit, 20th of January, Faculties of Literature and Philosophy, University of Florence, conference hall, Firenze, Italy

2016

2016, “Across the Body,” re-enactment with variations, Winterwolven: Multidisciplinary Performance Festival, Arminiuskerk, Rotterdam, Netherlands
2016, “Across the Body,” re-enactment with variations, Salvino Celebration 10^ edition, San Salvi – former mental hospital, Firenze, Italy
2016, “Across the Body,” re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany
2016, “Across the Body,” re-enactment with variations, Dritto al Cuore Festival, Luigi Tronci Foundation, Pistoia, Italy
2016, “Across the Body,” re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy
2016, “Across the Body,” première, Discordanze Festival, Villa Montalvo, Campi Bisenzio, Firenze, Italy
2016, “Across the Body,” première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy

Vincenzo Fiore Marrese, Email: vincenzo@vfmarrese.com, Phone: +4916093806471, Website: www.vfmarrese.com, Instagram: @vfmarrese, Preferred Pronouns: he/him/his