Vincenzo Fiore Marrese

Education

• Postgraduate Course as Certified Teacher of Art, Art History and Technical Drawing, Academy of Fine Arts of Florence, Italy (Accademia di Belle Arti di Firenze), Ministry of Education, University and Research of the Italian government
• Master of Fine Arts, 110 and honor (highest possible grade in the Italian system), Academy of Fine Arts of Florence, Italy (Accademia di Belle Arti di Firenze). Thesis Title, "Conoscenza e Creatività" ("Knowledge and Creativity"). Collaboration with the Department of Humanities and the Department of Biology, University of Florence, Italy.
• High school diploma in Artistic Studies, National Art Institute of Florence in Italy (Liceo Artistico Statale di Porta Romana e Sesto Fiorentino, già Istituto Statale d'Arte di Firenze)

Publications

• Marrese V.F. 2022, "Point-of-view Performances" in "Meta.space – Visions of Space from the Middle Ages to the Digital Age", edited by Alfred Weidinger, Fabian Müller-Nittel and Markus Reindl / OÖ Landes-Kultur GmbH, published by DISTANZ Verlag GmbH, Berlin, Germany, 2022, ISBN: 978-3-95476-536-2

Grants

• 2023, Residenzstipendium, Künstlerstadt Kalbe

Residencies

• 2023, 11. Internationaler Sommercampus, artist residency, Künstlerstadt Kalbe, Kalbe (Milde), Germany
• 2022, Liebig12, artist residency, Liebig12, Berlin, Germany
• 2018, “Wärmflasche”, artist residency, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic

Exhibitions and events (selection)

2023

• Group exhibition, "11. Internationaler Sommercampus. Werkschau der Stipendiat:innen", Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany
• Zweiter Atelier-Rundgang, open studios exhibition, within the frame of the "11. Internationaler Sommercampus", ehemaliges Gericht, former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
• Erster Atelier-Rundgang, open studios exhibition, within the frame of the "11. Internationaler Sommercampus", ehemaliges Gericht, former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
• „böse Pläne“, “Evil Designs”, première, within the frame of the group exhibition opening "11. Internationaler Sommercampus. Werkschau der Stipendiat:innen", Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany
• “Regelwerke”, artist talk, within the frame of Third Room, Besser Leben, Leipzig, Germany

2022

• ART Cologne 2022, book launch, Marrese V.F. 2022, "Point-of-view Performances" in "Meta.space – Visions of Space from the Middle Ages to the Digital Age", edited by OÖ Landes-Kultur GmbH, published by DISTANZ, Berlin, Germany, 2022, Koelnmesse, Section: Editions, DISTANZ, level 11.3, booth A25, Cologne, Germany
• “Aesthetic regulations”, within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany
• Internationale Konferenz „Die globale DDR – eine transkulturelle Kunstgeschichte (1949–1990)“, Technische Universität Dresden, Albertinum Museum, Dresden, Germany
• “Achilles and Tortoise”, re-enactment with variations, performed three times, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany
• “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
• “About age-based targeting” première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
• “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia

2021

• “I (don't) know the spell”, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine
• “Achilles and Tortoise”, re-enactment, Kornieieva-Marrese duo, Gallery Center424, Belgrade, Serbia
• “Achilles and Tortoise”, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia
• “Achilles and Tortoise”, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
• “secret and inaccessible”, reading, Berlin Spoken Word - Party, Badehaus Berlin, Berlin, Germany
• “Der Weg der Kohle”, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany
• “Biotic community”, installation, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany
• “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina
• “post performance”, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany
• “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine

2020

• “It's time”, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia
• “There was a deer in the darkness”, reading, Offene Bühne, ARCANOA, Berlin, Germany
• “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh
• “Community Standards”, première, Moving Bodies, Festival online_Blu Notte, filmed in Kattegat, Berlin, digital commission, Teatro Espace, Turin, Italy
• “People also ask”, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany
• “Not from Us”, reading, Schaunwama, BAIZ - Kultur- und Schankwirtschaft, Berlin, Germany

2019

• “Body’s Law”, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
• “Strike”, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
• “Body’s Law”, re-enactment with variations, IMAF International Multimedial Art Festival, Bivši Dom Omladine, Odžaci, Voivodina, West Bačka District, Serbia
• “Body’s Law”, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy
• “Strike”, première, Spieltrieb, Projektwohnung „krudebude“, Leipzig, Germany
• “Suspended Sentence”, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
• “Body’s Law”, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic
• collaborative performance, première, artistic collaboration with the artists of the D’Lab 2019, D’Lab | Dhaka Live Art Biennale, Edge Gallery – Bay’s Edgewater, Dhaka, Bangladesh
• “Body’s Law”, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh

2018

• “Pull it Down” (“Put it Down”), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic
• “Body’s Law”, re-enactment with variations, "Σημειώσεις" στο Θέατρο Σημείο (Notes at Semio Theatre), curated by Teatro Anatomico, Θέατρο Σημείο (Semio Theatre), Kallithèa, Athens, Greece
• “Body’s Law”, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine
• “Across the Body”, re-enactment with variations, The Body’s Voice, Vittorio Emanuele square, Osnago, Lecco, Italy
• “Body’s Law”, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
• Presentation of my body of work, artist talk, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
• “Body’s Law”, re-enactment with variations, Free Riga Creative Hive D27, Riga, Latvia
• “Body’s Law”, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
• “Body’s Law”, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom

2017

• “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy
• “Across the Body”, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
• “Across the Body”, re-enactment with variations, Corpus Mine, curated by Ylenia Rose Testore, Copper Mine Museum, Montecatini Val di Cecina, Pisa, Italy
• “Across the Body”, re-enactment with variations, Serate Iluminate Festival, curated by Riccardo Bargellini, PAC180 – sculpture park for contemporary art – residential treatment center for mental illness Franco Basaglia – historical garden, Livorno, Italy
• “Differenza e colore” (The relationship between the concepts of difference and colour), talk, Qualitative Ontology and Technology (Qua-Onto-Tech) research unit, 19th of June, Faculties of Literature and Philosophy, University of Florence, conference hall, Firenze, Italy
• “Across the Body”, re-enactment with variations, Icché Ci Vah Ci Vole Festival, curated by Valerio Bellini, Villa Favard Rovezzano – urban park, Firenze, Italy
• “Across the Body”, re-enactment with variations, Inchiostri Ribelli - Tattoo & Riot Arts Festival, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
• “Across the Body”, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
• “Across the Body”, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
• “Ciò che non c’è ma ci dovrebbe essere in un disegno” (What is absent in a drawing but should be present?), talk, Qualitative Ontology and Technology (Qua-Onto-Tech) research unit, 20th of January, Faculties of Literature and Philosophy, University of Florence, conference hall, Firenze, Italy

2016

• “Across the Body”, re-enactment with variations, Winterwolven: Multidisciplinary Performance Festival, Arminiuskerk, Rotterdam, Netherlands
• “Across the Body”, re-enactment with variations, Salvino Celebration 10^ edition, San Salvi – former mental hospital, Firenze, Italy
• “Across the Body”, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany
• “Across the Body”, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy
• “Across the Body”, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy