Photos
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© VFMarrese, “Aesthetic regulations”, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany, photo in studio by Vincenzo Fiore Marrese
© VFMarrese, “Aesthetic regulations”, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany, photo in studio by Vincenzo Fiore Marrese
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© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese
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© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese
© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese
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© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Tetiana Kornieieva
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© VFMarrese, “About age-based targeting” première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway, photo by Kobie Nel
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© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese
© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese
© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese
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© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
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© VFMarrese, “Achilles and Tortoise”, re-enactment with variations, performed three times, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany, photo by William “Bilwa” Costa
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© VFMarrese, “Achilles and Tortoise”, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia, photo by Syporca Whandal
© Kornieieva-Marrese, “Achilles and Tortoise”, abandoned Motel "Sumice", Odžaci, Voivodina, West Bačka District, Serbia, photo by Syporca Whandal
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© Kornieieva-Marrese, “Achilles and Tortoise”, Gallery SULUV, Novi Sad, Serbia, photo by Daniela Beltrani
© Kornieieva-Marrese, “Achilles and Tortoise”, Gallery SULUV, Novi Sad, Serbia, photo by Syporca Whandal
© Kornieieva-Marrese, “Achilles and Tortoise”, Gallery SULUV, Novi Sad, Serbia, photo by Syporca Whandal
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© VFMarrese, “Der Weg der Kohle”, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany, photo by Tetiana Kornieieva
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© VFMarrese, “post performance”, re-enactment with variations, “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina, frame by Vincenzo Fiore Marrese
© VFMarrese, “post performance”, re-enactment with variations, “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina, frame by Vincenzo Fiore Marrese
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© VFMarrese, “post performance”, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany, frame by Vincenzo Fiore Marrese
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© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese
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© VFMarrese, “It's time”, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese
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© VFMarrese, “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh, frame by Vincenzo Fiore Marrese
© VFMarrese, “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh, frame by Vincenzo Fiore Marrese
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© VFMarrese, “Community Standards”, première, Moving Bodies, Festival online_Blu Notte, filmed in Kattegat, Berlin, digital commission, Teatro Espace, Turin, Italy, frame by Vincenzo Fiore Marrese
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© VFMarrese, “People also ask”, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany, photo by Sanford Wintersberger
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© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum
© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum
© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum
© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
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© VFMarrese, “Strike”, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese
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© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle
© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle
© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle
© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle
© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle
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© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, frame by Patricia Thomas
© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, photo by Projektwohnung „krudebude”
© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, photo by Projektwohnung „krudebude”
© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, frame by Patricia Thomas
© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, frame by Patricia Thomas
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© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese
© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese
© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Linda Salvadori
© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese
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© VFMarrese, “Body’s Law”, Žižkovská noc, theatre and literature section curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic, photo by Vincenzo Fiore Marrese
© VFMarrese, “Body’s Law”, Žižkovská noc, theatre and literature section curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic, photo by Vincenzo Fiore Marrese
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© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Mimu Das
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Faisal Jafar
© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Rupomoi Tongchangya
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© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács
© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács
© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács
© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács
© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by Emilia Vere
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© VFMarrese, “Body’s Law”, Carbonarium Performance Art Festival, art residence “Carbon”, Kyiv, Ukraine
© VFMarrese, “Body’s Law”, Carbonarium Performance Art Festival, art residence “Carbon”, Kyiv, Ukraine
© VFMarrese, “Body’s Law”, Carbonarium Performance Art Festival, art residence “Carbon”, Kyiv, Ukraine
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© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival
© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival
© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival
© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival
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© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia, photo by Luchana Logina
© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
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© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori
© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori
© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori
© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori
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© VFMarrese, “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy, photo by Linda Salvadori
© VFMarrese, “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy, photo by Linda Salvadori
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© VFMarrese, “Across the Body”, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway, photo by Linda Salvadori
© VFMarrese, “Across the Body”, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway, photo by Linda Salvadori
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© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Linda Salvadori
© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Vittoria Maria Mattioli
© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Vittoria Maria Mattioli
© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Linda Salvadori
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© VFMarrese, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy (I), photo by Vittoria Maria Mattioli
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© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany
© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany
© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany
© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany
© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany
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© VFMarrese, “Across the Body”, Luigi Tronci Foundation, Pistoia, Italy, photo by Alberto Frosini
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© VFMarrese, “Across the Body”, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy, photo by Vittoria Maria Mattioli
© VFMarrese, “Across the Body”, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy, photo by Vittoria Maria Mattioli
Portfolio entry
Page index
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Aesthetic regulations - artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, GermanyReorder power structures - chapter three, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, GermanyReorder power structures - chapter two, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, GermanyReorder power structures - chapter one, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, GermanyAbout age-based targeting , première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, NorwayTo make landfall I , première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, BoliviaI (don't) know the spell , première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, UkraineAchilles and Tortoise , re-enactment with variations, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, GermanyAchilles and Tortoise , re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, SerbiaAchilles and Tortoise , première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, SerbiaDer Weg der Kohle , première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germanypost performance , re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentinapost performance , première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, GermanyCordone , première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, UkraineIt's time , première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, SerbiaI don’t think you realise what I’m talking about , computer-based art, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, BangladeshCommunity Standards , première, Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, ItalyPeople also ask , première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, GermanyBody’s Law , re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, NorwayStrike , re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, SerbiaBody’s Law , re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, ItalyStrike , première, Spieltrieb, Projektwohnung „krudebude", Leipzig, GermanySuspended Sentence , première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, ItalyBody’s Law , re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech RepublicBody’s Law , re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh
Pull it Down (Put it Down) , première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech RepublicBody’s Law , re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, UkraineBody’s Law , re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, BelarusBody’s Law , première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, LatviaBody’s Law , sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United KingdomAcross the Body , re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, ItalyAcross the Body , re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, NorwayAcross the Body , re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
Across the Body , re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, ItalyAcross the Body , re-enactment with variations, Kesselhaus of Marzahn, Berlin, GermanyAcross the Body , re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, ItalyAcross the Body , première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy
