Vincenzo Fiore Marrese

Photos Table of Contents

ohne alles

© VFMarrese, “ohne alles” (cement powder, book, paper, black ink, table, AI translation), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Matching Labels

© VFMarrese, “Matching Labels” (metal nails on floor), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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ohne Bilder

© VFMarrese, “ohne Bilder” (paper boxes, photo sheets, metal foil, black ink, cement powder), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Generationengerechtigkeit

© VFMarrese, “Generationengerechtigkeit” (ballot boxes, metal tags, crepe paper for decorations), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Von der Kürze des Lebens

© VFMarrese, “Von der Kürze des Lebens” (broken glass, wood frame, acrylic painting), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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eine Rolle, viele Rollen

© VFMarrese, “eine Rolle, viele Rollen” (wood board, paper, ink, pigments, crepe paper for decorations), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Ah, Deridda! LOL

© VFMarrese, “Ah, Deridda! LOL” (fax thermal paper roll, ink, AI-powered chatbot conversation), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Hierarchiestufen

© VFMarrese, “Hierarchiestufen” (school chair, mirror, clamp, crepe paper for decorations), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Ich bin dreihunderttausend

© VFMarrese, “Ich bin dreihunderttausend” (wood, paper, crepe paper for decorations, screwdriver), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

See also

Aesthetic regulations

© VFMarrese, “Aesthetic regulations”, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany, photo in studio by Vincenzo Fiore Marrese

© VFMarrese, “Aesthetic regulations”, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany, photo in studio by Vincenzo Fiore Marrese

© VFMarrese, “Aesthetic regulations”, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany, photo in studio by Vincenzo Fiore Marrese

See also

Creating a New Language: Impossible. (et vous êtes)

© VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”, editing the book

© VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”, object

© VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”, object

© VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”, object

© VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”, object

See also

Portfolio section

Focus on this collection

Photo section

Un mot encore, & je finis

© VFMarrese, “Un mot encore, & je finis”

© VFMarrese, “Un mot encore, & je finis”

See also

About age-based targeting

© VFMarrese, “About age-based targeting” première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway, photo by Kobie Nel

See also

Reorder power structures chapter three

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

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Reorder power structures chapter two

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

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Reorder power structures chapter one

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Tetiana Kornieieva

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Symbiotic violence

© VFMarrese, “Symbiotic Violence”.

© VFMarrese, “Symbiotic Violence”, work in progress, the manipulated photo on the top left is based on photo by Amar Saleem https://www.pexels.com/de-de/foto/grauer-und-weisser-wolf-69350/ free to use under Pexels license

See also

Artistic Research

To make landfall I

© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese. The map I used as part of the artwork is an: © OpenStreetMap contributors. Data is available under the Open Database License. The molucela is generated by from Jmol, an Open Source molecular viewer licensed under the GNU Lesser General Public License. The E-mail client is Thunderbird, under Mozilla Public License.

© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese

See also

I (don't) know the spell

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “I (don't) know the spell”, Performance November - Kyiv international performance art days, curated by Tetiana Kornieieva, digital commision, filmed in Kattegat and Berlin city, Berlin, Germany, projected at AKT (Art Zavod Platforma), Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

See also

Good to eat (fragment)

© VFMarrese, “Good to eat (fragment)”

© VFMarrese, “Good to eat (fragment)”.

© VFMarrese, “Good to eat (fragment)”.

© VFMarrese, “Good to eat (fragment)”.

© VFMarrese, “Good to eat (fragment)”.

© VFMarrese, “Good to eat (fragment)”.

See also

Focus on this collection

Photo section

Achilles and Tortoise Kornieieva-Marrese duo

© VFMarrese, “Achilles and Tortoise”, re-enactment with variations, performed three times, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany, photo by William “Bilwa” Costa

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Achilles and Tortoise Kornieieva-Marrese duo

© VFMarrese, “Achilles and Tortoise”, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia, photo by Syporca Whandal

© Kornieieva-Marrese, “Achilles and Tortoise”, abandoned Motel "Sumice", Odžaci, Voivodina, West Bačka District, Serbia, photo by Syporca Whandal

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Achilles and Tortoise Kornieieva-Marrese duo

© Kornieieva-Marrese, “Achilles and Tortoise”, Gallery SULUV, Novi Sad, Serbia, photo by Daniela Beltrani

© Kornieieva-Marrese, “Achilles and Tortoise”, Gallery SULUV, Novi Sad, Serbia, photo by Syporca Whandal

© Kornieieva-Marrese, “Achilles and Tortoise”, Gallery SULUV, Novi Sad, Serbia, photo by Syporca Whandal

See also

Der Weg der Kohle

© VFMarrese, “Der Weg der Kohle”, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany, photo by Tetiana Kornieieva

See also

post performance

© VFMarrese, “post performance”, re-enactment with variations, “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina, frame by Vincenzo Fiore Marrese

© VFMarrese, “post performance”, re-enactment with variations, “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina, frame by Vincenzo Fiore Marrese

See also

post performance

© VFMarrese, “post performance”, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany, frame by Vincenzo Fiore Marrese

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Cordone artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

See also

It's time artistic collaboration with Dagmar I. Glausnitzer-Smith

© VFMarrese, “It's time”, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese

See also

I don’t think you realise what I’m talking about

© VFMarrese, “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh, frame by Vincenzo Fiore Marrese

© VFMarrese, “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh, frame by Vincenzo Fiore Marrese

See also

Community Standards

© VFMarrese, “Community Standards”, première, Moving Bodies, Festival online_Blu Notte, filmed in Kattegat, Berlin, digital commission, Teatro Espace, Turin, Italy, frame by Vincenzo Fiore Marrese

See also

People also ask

© VFMarrese, “People also ask”, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany, photo by Sanford Wintersberger

See also

Body’s Law

© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum

© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum

© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum

© VFMarrese, “Body’s Law”, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway

See also

Strike

© VFMarrese, “Strike”, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

See also

Body’s Law

© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

© VFMarrese, “Body’s Law”, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

See also

Strike

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, frame by Patricia Thomas. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, photo by Projektwohnung „krudebude”

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, photo by Projektwohnung „krudebude”. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, frame by Patricia Thomas.

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, frame by Patricia Thomas

See also

Suspended Sentence

© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese

© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese

© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Linda Salvadori

© VFMarrese, “Suspended Sentence”, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese

See also

Body’s Law

© VFMarrese, “Body’s Law”, Žižkovská noc, theatre and literature section curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic, photo by Vincenzo Fiore Marrese

© VFMarrese, “Body’s Law”, Žižkovská noc, theatre and literature section curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic, photo by Vincenzo Fiore Marrese

See also

Body’s Law

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Mimu Das

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Faisal Jafar

© VFMarrese, “Body’s Law”, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Rupomoi Tongchangya

See also

Pull it Down (Put it Down)

© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács

© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács

© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács

© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács

© VFMarrese, “Pull it Down (Put it Down)”, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by Emilia Vere

See also

Body’s Law

© VFMarrese, “Body’s Law”, Carbonarium Performance Art Festival, art residence “Carbon”, Kyiv, Ukraine

© VFMarrese, “Body’s Law”, Carbonarium Performance Art Festival, art residence “Carbon”, Kyiv, Ukraine

© VFMarrese, “Body’s Law”, Carbonarium Performance Art Festival, art residence “Carbon”, Kyiv, Ukraine

See also

Body’s Law

© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival

© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival

© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival

© VFMarrese, “Body’s Law”, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival

See also

Body’s Law

© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia, photo by Luchana Logina

© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia

© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia

© VFMarrese, “Body’s Law”, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia

See also

Body’s Law

© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori

© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori

© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori

© VFMarrese, “Body’s Law”, Freshly Scratched, Battersea Arts Centre, London, United Kingdom, photo by Linda Salvadori

See also

Across the Body

© VFMarrese, “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy, photo by Linda Salvadori

© VFMarrese, “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy, photo by Linda Salvadori

See also

Across the Body

© VFMarrese, “Across the Body”, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway, photo by Linda Salvadori

© VFMarrese, “Across the Body”, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway, photo by Linda Salvadori

See also

Across the Body

© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Linda Salvadori

© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Vittoria Maria Mattioli

© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Vittoria Maria Mattioli

© VFMarrese, “Across the Body”, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Linda Salvadori

See also

Across the Body

© VFMarrese, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy (I), photo by Vittoria Maria Mattioli

See also

Across the Body

© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany

© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany

© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany

© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany

© VFMarrese, “Across the Body”, Kesselhaus of Marzahn, Berlin, Germany

See also

Across the Body

© VFMarrese, “Across the Body”, Luigi Tronci Foundation, Pistoia, Italy, photo by Alberto Frosini

See also

Across the Body

© VFMarrese, “Across the Body”, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy, photo by Vittoria Maria Mattioli

© VFMarrese, “Across the Body”, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy, photo by Vittoria Maria Mattioli

See also

© Vincenzo Fiore Marrese

C.F. MRRVCN77C19D612B