Vincenzo Fiore Marrese

Portfolio

Latest Updates

Critical Journey

©VFMarrese, “Critical Journey,” Art Environment, Subtle Habitat, artificial intelligence, found objects, mixed materials (see the entry for details), 50 square meters room, 538.196 square feet room, 2023, Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion, photo by V.F. Marrese

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An automobile repair shop becomes an artistic environment, carrying an imaginary journey through advanced technologies and miners’ issues.

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Seeking Intelligence

©VFMarrese, “Seeking Intelligence,” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion

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Is Artificial Intelligence a form of collective intelligence? I asked a chatbot to imagine a journey book seeking collective intelligence.

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Alles ist kritisch

©VFMarrese, “Alles ist kritisch,” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion

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Consumers have a thing for “Nothing is impossible” slogan. I found this slogan in a car repair shop where I displayed my work, “Everything is Critical.”

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Lithium

©VFMarrese, “Lithium,” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion

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A fake Lithium logo hangs on the wall of an auto repair shop. Lithium is crucial for technology. What are the social challenges of lithium mining?

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Intersecting Connectivity (Phaethon)

©VFMarrese, “Intersecting Connectivity (Phaethon),” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion

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I combined the technologies of the past with the present and the future.

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Substitute

©VFMarrese, “Substitute,” the artwork incorporates soil from a piece by Rachel Harris, courtesy of the artist as part of a collaborative creative process, Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion

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Painters utilized minerals to craft colours, while the industry employed minerals in electronic device production.

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ohne alles

©VFMarrese, “ohne alles,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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I blended Artificial Intelligence and literature with irony and depth.

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Matching Labels

©VFMarrese, “Matching Labels,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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One can accept to divide people according to age. Yet, it can create prejudice and make society less open to creativity.

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ohne Bilder

©VFMarrese, “ohne Bilder,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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If you put photographic paper in the sun, it will darken, but there won’t be any images.

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Generationengerechtigkeit

©VFMarrese, “Generationengerechtigkeit,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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I found ballot boxes in a former courthouse. This discovery expanded my research on age categorisation to include voting rights.

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Von der Kürze des Lebens

©VFMarrese, “Von der Kürze des Lebens,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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Sometimes, we break glass and end up with a cut. Both glass and skin are delicate. Yet both protect.

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Ich bin dreihunderttausend

©VFMarrese, “Ich bin dreihunderttausend,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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If one asks me: How old are you? I would say 300,000 years old, like you, like our species.

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Creating a New Language: Impossible. (et vous êtes)

©VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”

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  • Format: new media art
  • Subject: Artificial Intelligence, Science Fiction, Philip K. Dick, Karel Čapek, Chat GPT, Sympathy, Imitation
  • Venue: Galerie die 8, Kalbe (Milde), Germany
  • Context: group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen”
  • Discover More about “Creating a New Language: Impossible. (et vous êtes)” in its Portfolio Entry
  • Delve into the Artwork “Creating a New Language: Impossible. (et vous êtes)” through its Artistic Research
  • Explore Additional Images of “Creating a New Language: Impossible. (et vous êtes)”

Unclear Inputs

©VFMarrese, “Unclear Inputs,” within the frame of “preserve memories - provide energy,” third edition, Xelor Kesselhaus, Berlin, Germany

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What is your first memory? I posed the question to Artificial Intelligence. I have no personal experiences, was the answer.

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Un mot encore, & je finis

©VFMarrese, “Un mot encore, & je finis”

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  • Format: assembled sculpture, new media art
  • Subject: Politics, Justice, Translation, System of Rules, AI Powered, Chatbots, Police Barricade Tape
  • Venue: Galerie die 8, Kalbe (Milde), Germany
  • Context: group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen”
  • Delve into the Artwork “Un mot encore, & je finis” through its Artistic Research

Evil Designs

©VFMarrese, “Evil Designs”

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Evil Design is a journey in search of truth. The setting is today’s post-truth world. The flood of information glowing on the colourful screens of electronic devices inspired the piece.

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About age-based targeting première, re-enactments, re-enactments with variations

©VFMarrese, “About age-based targeting”, photo by Kobie Nel

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  • Format: time-based art
  • Subject: Marketing Strategies, Automated Software, Age Based Narratives, Facebook Business Pages
  • Venue: Hotel Villa Terminus, Bergen, Norway
  • Context: PAB Performance Art Bergen Open
  • Delve into the Artwork “About age-based targeting” through its Artistic Research

Reorder power structures première in three chapters, chapter three

©VFMarrese, “Reorder power structures”

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  • Format: time-based art, installation art
  • Subject: Rules, Authoritarian Contenders, Law, Democracy
  • Venue: Liebig12, Berlin, Germany
  • Context: Group exhibition, festival “preserve memories - provide energy” - second edition
  • Delve into the Artwork “Reorder power structures” through its Artistic Research

To make landfall I première

©VFMarrese, “To make landfall I”, the map I used as part of the artwork is an: © OpenStreetMap contributors. Data is available under the Open Database License. The molecola is generated by from Jmol, an Open Source molecular viewer licensed under the GNU Lesser General Public License. The E-mail client is Thunderbird, under Mozilla Public License.

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  • Format: time-based art
  • Subject: Fuel Transportation, Energy Industry, Natural Gas, Fuel Access, Geopolitical Balance, Magical Thinking
  • Venue: Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia
  • Context: Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB

Good to eat (fragment)

©VFMarrese, “Good to eat (fragment)”

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  • Format: installation art
  • Subject: Anthropology, Food Studies, Ritual, Mythology, Ritual Meal, Christian Eucharist, Blood and Birds, Art and Science, Bird Myth
  • Venue: (photo in studio) Galerie die 8, Kalbe (Milde), Germany
  • Context: Group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen,” Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany

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