©VFMarrese, “Critical Journey,” Art Environment, Subtle Habitat, artificial intelligence, found objects, mixed materials (see the entry for details ), 50 square meters room, 538.196 square feet room, 2023, Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion, photo by V.F. Marrese
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An automobile repair shop becomes an artistic environment, carrying an imaginary journey through advanced technologies and miners’ issues.
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©VFMarrese, “Seeking Intelligence,” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion
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Is Artificial Intelligence a form of collective intelligence? I asked a chatbot to imagine a journey book seeking collective intelligence.
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©VFMarrese, “Alles ist kritisch,” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion
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Consumers have a thing for “Nothing is impossible” slogan. I found this slogan in a car repair shop where I displayed my work, “Everything is Critical.”
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©VFMarrese, “Lithium,” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion
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A fake Lithium logo hangs on the wall of an auto repair shop. Lithium is crucial for technology. What are the social challenges of lithium mining?
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©VFMarrese, “Intersecting Connectivity (Phaethon),” Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion
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I combined the technologies of the past with the present and the future.
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©VFMarrese, “Substitute,” the artwork incorporates soil from a piece by Rachel Harris, courtesy of the artist as part of a collaborative creative process, Adlerhalle, Dragonerareal, Berlin, Germany, within the frame of “Collectiveness In Space,” in the context of Experimentdays Relaunch, in cooperation with Zusammenstelle and Rathausblock, curatorial program Mayer Pavilion
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Painters utilized minerals to craft colours, while the industry employed minerals in electronic device production.
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©VFMarrese, “Matching Labels,” former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
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One can accept to divide people according to age. Yet, it can create prejudice and make society less open to creativity.
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©VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”
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Format: new media art
Subject: Artificial Intelligence, Science Fiction, Philip K. Dick, Karel Čapek, Chat GPT, Sympathy, Imitation
Venue: Galerie die 8, Kalbe (Milde), Germany
Context: group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen”
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©VFMarrese, “Unclear Inputs,” within the frame of “preserve memories - provide energy,” third edition, Xelor Kesselhaus, Berlin, Germany
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What is your first memory? I posed the question to Artificial Intelligence. I have no personal experiences, was the answer.
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©VFMarrese, “Un mot encore, & je finis”
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Format: assembled sculpture, new media art
Subject: Politics, Justice, Translation, System of Rules, AI Powered, Chatbots, Police Barricade Tape
Venue: Galerie die 8, Kalbe (Milde), Germany
Context: group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen”
©VFMarrese, “Evil Designs”
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Evil Design is a journey in search of truth. The setting is today’s post-truth world. The flood of information glowing on the colourful screens of electronic devices inspired the piece.
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About age-based targeting première, re-enactments, re-enactments with variations
©VFMarrese, “About age-based targeting”, photo by Kobie Nel
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Format: time-based art
Subject: Marketing Strategies, Automated Software, Age Based Narratives, Facebook Business Pages
Venue: Hotel Villa Terminus, Bergen, Norway
Context: PAB Performance Art Bergen Open
©VFMarrese, “Reorder power structures”
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Format: time-based art, installation art
Subject: Rules, Authoritarian Contenders, Law, Democracy
Venue: Liebig12, Berlin, Germany
Context: Group exhibition, festival “preserve memories - provide energy” - second edition
©VFMarrese, “To make landfall I”, the map I used as part of the artwork is an: © OpenStreetMap contributors . Data is available under the Open Database License. The molecola is generated by from Jmol, an Open Source molecular viewer licensed under the GNU Lesser General Public License. The E-mail client is Thunderbird, under Mozilla Public License.
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Format: time-based art
Subject: Fuel Transportation, Energy Industry, Natural Gas, Fuel Access, Geopolitical Balance, Magical Thinking
Venue: Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia
Context: Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB
©VFMarrese, “Good to eat (fragment)”
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Format: installation art
Subject: Anthropology, Food Studies, Ritual, Mythology, Ritual Meal, Christian Eucharist, Blood and Birds, Art and Science, Bird Myth
Venue: (photo in studio) Galerie die 8, Kalbe (Milde), Germany
Context: Group exhibition, “11. Internationaler Sommercampus. Werkschau der Stipendiat:innen,” Galerie die 8, Künstlerstadt Kalbe, Kalbe (Milde), Germany
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