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    • Aesthetic regulation, artwork launch, within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany
    • Reorder power structures - chapter three, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • Reorder power structures - chapter two, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • Reorder power structures - chapter one, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • About age-based targeting, première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
    • To make landfall I, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia
    • I (don't) know the spell, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine
    • Achilles and Tortoise, re-enactment with variations, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany
    • Achilles and Tortoise, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia
    • Achilles and Tortoise, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
    • Der Weg der Kohle, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany
    • post performance, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina
    • post performance, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany
    • Cordone, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine
    • It's time, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia
    • I don’t think you realise what I’m talking about, computer-based art, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh
    • Community Standards, première, Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy
    • People also ask, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany
    • Body’s Law, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
    • Strike, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
    • Body’s Law, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy
    • Strike, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany
    • Suspended Sentence, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
    • Body’s Law, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic
    • Body’s Law, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh
    • Pull it Down (Put it Down), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic
    • Body’s Law, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine
    • Body’s Law, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
    • Body’s Law, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
    • Body’s Law, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom
    • Across the Body, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy
    • Across the Body, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
    • Across the Body, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
    • Across the Body, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
    • Across the Body, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany
    • Across the Body, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy
    • Across the Body, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy
  • Artistic research
  • CV
  • Statement
  • Biography
  • Stories
    • Aesthetic regulations, artwork launch, within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany
    • Artist residency program at Liebig12, Liebig12, Berlin, Germany
    • Achilles and Tortoise, re-enactment with variations, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany
    • Festival “preserve memories - provide energy” - second edition, Liebig12, Berlin, Germany
    • Reorder power structures - chapter three, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • Reorder power structures - chapter two, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • Reorder power structures - chapter one, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • About age-based targeting, première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
    • To make landfall I, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia
    • I (don't) know the spell, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine
    • Achilles and Tortoise, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia
    • Achilles and Tortoise, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
    • Festival “preserve memories - provide energy” - first edition, Museum Kesselhaus Herzberge
    • Der Weg der Kohle, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany
    • post performance, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina
    • post performance, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany
    • Cordone, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine
    • It's time, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia
    • I don’t think you realise what I’m talking about, computer-based art, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh
    • Community Standards, première, Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy
    • People also ask, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany
    • Body’s Law, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
    • Strike, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
    • Body’s Law, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy
    • Strike, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany
    • Suspended Sentence, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
    • Body’s Law, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic
    • Body’s Law, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh
    • Pull it Down (Put it Down), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic
    • Body’s Law, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine
    • Body’s Law, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
    • Body’s Law, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
    • Body’s Law, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom
    • Across the Body, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy
    • Across the Body, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
    • Across the Body, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
    • Across the Body, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
    • Across the Body, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany
    • Across the Body, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy
    • Across the Body, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy
  • Photos
    • Aesthetic regulations artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany
    • Reorder power structures - chapter three, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • Reorder power structures - chapter two, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • Reorder power structures - chapter one, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
    • About age-based targeting, première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
    • To make landfall I, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia
    • I (don't) know the spell, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine
    • Achilles and Tortoise, re-enactment with variations, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany
    • Achilles and Tortoise, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia
    • Achilles and Tortoise, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
    • Der Weg der Kohle, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany
    • post performance, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina
    • post performance, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany
    • Cordone, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine
    • It's time, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia
    • I don’t think you realise what I’m talking about, computer-based art, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh
    • Community Standards, première, Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy
    • People also ask, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany
    • Body’s Law, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
    • Strike, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
    • Body’s Law, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy
    • Strike, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany
    • Suspended Sentence, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
    • Body’s Law, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic
    • Body’s Law, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh
    • Pull it Down (Put it Down), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic
    • Body’s Law, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine
    • Body’s Law, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
    • Body’s Law, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
    • Body’s Law, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom
    • Across the Body, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy
    • Across the Body, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
    • Across the Body, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
    • Across the Body, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
    • Across the Body, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany
    • Across the Body, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy
    • Across the Body, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy
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