Vincenzo Fiore Marrese
Portfolio Table of Contents
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ohne alles
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: assembled sculpture
Topics: Artificial Intelligence, Social Questions, AI Chatbot, Translation Project, Western Traditions, New Technologies, Death Concept, Age Categorization
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Matching Labels
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: assembled sculpture
Topics: Social Categorization, Age Biases, Multilingual Environment, Large Metal Nails, Word Arrangement
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ohne Bilder
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: installation art
Topics: Without Images, Photographic Paper, Red Metal Carpet, Sunlight Exposure, Death as a Stage, Societal Identity, Legal Identification
See also
Generationengerechtigkeit
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: assembled sculpture
Topics: Intergenerational Justice, Wooden Ballot Boxes, Voting Rights, Age Limits, Social Categories, Artistic Considerations, Political Meanings, Decorative Objects
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Von der Kürze des Lebens
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: assembled sculpture, installation art
Topics: Shortness of Life, Glass and Skin, Artwork and Organs, Western Art Traditions, Painted Words, Business Window Decal, Time and Age
See also
eine Rolle, viele Rollen
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: assembled sculpture, installation art
Topics: Life Stages, Shakespeare Insights, Final Stage, Physical Body, View Death, Western Tradition, Greek Word, Matter
See also
Ah, Deridda! LOL
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: sculpture, new media art
Topics: Deridda, AI Chatbot, Different Meanings, Different Languages, Societal Categorization, Dialogue, Fax Thermal Paper Roll
See also
Hierarchiestufen
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: assembled sculpture
Topics: Age Biases, Teaching, Schools, Classrooms, Students, School Social Environment, Age Groups, Marketing Research
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Ich bin dreihunderttausend
Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany
Format: environment
Topics: Age, Species, Difference, Bias
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Aesthetic regulations
Context: photo in studio; first showcased: Projektwohnung „krudebude“, Leipzig, Germany.
Format: assembled sculpture
Topics: Contrasting Elements, Art and Ethics, Political Art Reference
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Creating a New Language: Impossible. (et vous êtes)
Context: photo in studio; first showcased: Galerie die 8, Kalbe (Milde), Germany
Format: new media art
Topics: Artificial Intelligence, Science Fiction, Philip K. Dick, Karel Čapek, Chat GPT, Sympathy, Imitation
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Un mot encore, & je finis
Context: photo in studio; first showcased: Galerie die 8, Kalbe (Milde), Germany
Format: assembled sculpture, new media art
Topics: Politics, Justice, Translation, System of Rules, AI Powered, Chatbots, Police Barricade Tape
See also
About age-based targeting première, re-enactments, re-enactments with variations
Context: PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway.
Format: time-based art
Topics: Marketing Strategies, Automated Software, Age Based Narratives, Facebook Business Pages
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Reorder power structures première in three chapters, chapter three
Context: Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.
Formats: time-based art, installation art
Topics: Rules, Authoritarian Contenders, Law, Democracy
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Reorder power structures première in three chapters, chapter two
Context: Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.
Formats: time-based art, installation art
Topics: Rules, Authoritarian Contenders, Law, Democracy
See also
Reorder power structures première in three chapters, chapter one
Context: Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.
Formats: time-based art, installation art, participatory art
Topics: Rules, Authoritarian Contenders, Law, Democracy, Xrays, Artificial Intelligence
See also
Symbiotic violence
Format: data-driven art
Topics: Human Community, Symbiotic Entity, Hate Speech, Data Driven Art, Magical Thinking
See also
To make landfall I première
Context: Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia.
Format: time-based art
Topics: Fuel Transportation, Energy Industry, Natural Gas, Fuel Access, Geopolitical Balance, Magical Thinking
See also
I (don't) know the spell première
Context: Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine.
Format: time-based art
Topics: Rational Vs Emotion, Internet Technologies, Performance Art, Magical Thinking, Emotional Behaviors, Art and Rituals
See also
Good to eat (fragment)
Context: photo in studio; first showcased: Galerie die 8, Kalbe (Milde), Germany
Format: installation art
Topics: Anthropology, Food Studies, Ritual, Mythology, Ritual Meal, Christian Eucharist, Blood and Birds, Art and Science, Bird Myth
See also
Achilles and Tortoise, Kornieieva-Marrese duo, re-enactment with variations
Context: PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany.
Format: time-based art
Topics: Identity Fragmentation, Body Perception, Internet Technologies, Time Zones, City Context, Communication Paradox
See also
Achilles and Tortoise, Kornieieva-Marrese duo, re-enactment
Context: IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia.
Format: time-based art
Topics: Identity Fragmentation, Body Perception, Internet Technologies, Time Zones, City Context, Communication Paradox
See also
Achilles and Tortoise, Kornieieva-Marrese duo, première
Context: IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia.
Format: time-based art
Topics: Identity Fragmentation, Body Perception, Internet Technologies, Time Zones, City Context, Communication Paradox
See also
Der Weg der Kohle première
Context: Festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany.
Formats: time-based art, installation art
Topics: Social Change, Power Plant Museums, Innovative Art Platform, Fossil Fuel, Magic Door
See also
post performance re-enactment with variations
Context: APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina.
Format: time-based art
Topics: Performance Art Questions, Medium of Performance Art, Online Social World
See also
post performance première
Context: PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany.
Format: time-based art
Topics: Performance Art Questions, Medium of Performance Art, Online Social World
See also
Cordone, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, première
Context: Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine.
Format: time-based art
Topics: Ukrainian and Italian Languages, Word Loans, Cross Cultural Influence, Language Pronunciation, Language Meanings
See also
It's time, artistic collaboration with Dagmar I. Glausnitzer-Smith, première
Context: IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia.
Format: time-based art
Topics: Artistic Interaction, Collision of Actions, Harmony in Diversity, Two Worlds of Experience
See also
I don’t think you realise what I’m talking about
Context: Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh.
Format: new media art
Topics: Complexity in Art, Edgar Morin Philosophy, Relationship Reorganization, Nature Representation, Individual Society Species, Nature Exceeds Machines, Discovering Complexity
See also
Community Standards première
Context: Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy.
Format: time-based art
Topics: Facebook Community Standards, Violence and Criminal Behavior, Self Domestication Hypothesis
See also
People also ask première
Context: How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany.
Format: time-based art
Topics: Human Self Domestication Hypothesis, Search Engine Semantics, Google Search Results, People Also Ask
See also
Body’s Law re-enactment with variations, performed three times
Context: PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Strike re-enactment with variations
Context: IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia.
Format: time-based art, participatory art
Topics: Gamification of Warfare, War and Children, Toy Drones, Drones in War
See also
Body’s Law re-enactment with variations
Context: Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Strike première
Context: Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany.
Format: time-based art, participatory art
Topics: Gamification of Warfare, War and Children, Toy Drones, Drones in War
See also
Suspended Sentence première
Context: Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy.
Format: time-based art
Topics: Colonialism in Art, Botanical Gardens, Exotic Plants, Sound Mapping, Pollution Reflection, Environmental Concerns
See also
Body’s Law re-enactment with variations, performed three times
Context: Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Body’s Law re-enactment with variations
Context: D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Pull it Down (Put it Down) première
Context: Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic.
Format: time-based art
Topics: Technology in Art, Body's Movements, Taser Weapon, Police Weaponry, Biological Reactions, Body Control, Law Enforcement Technology
See also
Body’s Law re-enactment with variations
Context: Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Body’s Law re-enactment with variations
Context: Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Body’s Law première
Context: Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Body’s Law sneak preview
Context: Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom.
Format: time-based art, sound art
Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement
See also
Across the Body re-enactment with variations
Context: XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
Across the Body re-enactment with variations
Context: PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
Across the Body re-enactment with variations
Context: On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
Across the Body re-enactment with variations
Context: La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
Across the Body re-enactment with variations
Context: Kesselhaus of Marzahn, Berlin, Germany.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
Across the Body re-enactment with variations
Context: Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
Across the Body première
Context: Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy.
Format: time-based art
Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
See also
© Vincenzo Fiore Marrese
C.F. MRRVCN77C19D612B