Vincenzo Fiore Marrese

Portfolio Table of Contents

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ohne alles

© VFMarrese, “ohne alles” (cement powder, book, paper, black ink, table, AI translation), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: assembled sculpture

Topics: Artificial Intelligence, Social Questions, AI Chatbot, Translation Project, Western Traditions, New Technologies, Death Concept, Age Categorization

See also

Matching Labels

© VFMarrese, “Matching Labels” (metal nails on floor), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: assembled sculpture

Topics: Social Categorization, Age Biases, Multilingual Environment, Large Metal Nails, Word Arrangement

See also

ohne Bilder

© VFMarrese, “ohne Bilder” (paper boxes, photo sheets, metal foil, black ink, cement powder), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: installation art

Topics: Without Images, Photographic Paper, Red Metal Carpet, Sunlight Exposure, Death as a Stage, Societal Identity, Legal Identification

See also

Generationengerechtigkeit

© VFMarrese, “Generationengerechtigkeit” (ballot boxes, metal tags, crepe paper for decorations), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: assembled sculpture

Topics: Intergenerational Justice, Wooden Ballot Boxes, Voting Rights, Age Limits, Social Categories, Artistic Considerations, Political Meanings, Decorative Objects

See also

Von der Kürze des Lebens

© VFMarrese, “Von der Kürze des Lebens” (broken glass, wood frame, acrylic painting), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: assembled sculpture, installation art

Topics: Shortness of Life, Glass and Skin, Artwork and Organs, Western Art Traditions, Painted Words, Business Window Decal, Time and Age

See also

eine Rolle, viele Rollen

© VFMarrese, “eine Rolle, viele Rollen” (wood board, paper, ink, pigments, crepe paper for decorations), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: assembled sculpture, installation art

Topics: Life Stages, Shakespeare Insights, Final Stage, Physical Body, View Death, Western Tradition, Greek Word, Matter

See also

Ah, Deridda! LOL

© VFMarrese, “Ah, Deridda! LOL” (fax thermal paper roll, ink, AI-powered chatbot conversation), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: sculpture, new media art

Topics: Deridda, AI Chatbot, Different Meanings, Different Languages, Societal Categorization, Dialogue, Fax Thermal Paper Roll

See also

Hierarchiestufen

© VFMarrese, “Hierarchiestufen” (school chair, mirror, clamp, crepe paper for decorations), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: assembled sculpture

Topics: Age Biases, Teaching, Schools, Classrooms, Students, School Social Environment, Age Groups, Marketing Research

See also

Ich bin dreihunderttausend

© VFMarrese, “Ich bin dreihunderttausend” (wood, paper, crepe paper for decorations, screwdriver), former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Context: former courthouse, Künstlerstadt Kalbe, Kalbe (Milde), Germany

Format: environment

Topics: Age, Species, Difference, Bias

See also

Aesthetic regulations

© VFMarrese, “Aesthetic regulations”

Context: photo in studio; first showcased: Projektwohnung „krudebude“, Leipzig, Germany.

Format: assembled sculpture

Topics: Contrasting Elements, Art and Ethics, Political Art Reference

See also

Creating a New Language: Impossible. (et vous êtes)

© VFMarrese, “Creating a New Language: Impossible. (et vous êtes)”

Context: photo in studio; first showcased: Galerie die 8, Kalbe (Milde), Germany

Format: new media art

Topics: Artificial Intelligence, Science Fiction, Philip K. Dick, Karel Čapek, Chat GPT, Sympathy, Imitation

See also

Un mot encore, & je finis

© VFMarrese, “Un mot encore, & je finis”

Context: photo in studio; first showcased: Galerie die 8, Kalbe (Milde), Germany

Format: assembled sculpture, new media art

Topics: Politics, Justice, Translation, System of Rules, AI Powered, Chatbots, Police Barricade Tape

See also

About age-based targeting première, re-enactments, re-enactments with variations

© VFMarrese, “About age-based targeting” première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway, photo by Kobie Nel

Context: PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway.

Format: time-based art

Topics: Marketing Strategies, Automated Software, Age Based Narratives, Facebook Business Pages

See also

Reorder power structures première in three chapters, chapter three

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

Context: Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.

Formats: time-based art, installation art

Topics: Rules, Authoritarian Contenders, Law, Democracy

See also

Reorder power structures première in three chapters, chapter two

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

Context: Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.

Formats: time-based art, installation art

Topics: Rules, Authoritarian Contenders, Law, Democracy

See also

Reorder power structures première in three chapters, chapter one

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Tetiana Kornieieva

Context: Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.

Formats: time-based art, installation art, participatory art

Topics: Rules, Authoritarian Contenders, Law, Democracy, Xrays, Artificial Intelligence

See also

Symbiotic violence

© VFMarrese, “Symbiotic Violence”, the manipulated photo on the top left is based on photo by Amar Saleem https://www.pexels.com/de-de/foto/grauer-und-weisser-wolf-69350/ free to use under Pexels license

Format: data-driven art

Topics: Human Community, Symbiotic Entity, Hate Speech, Data Driven Art, Magical Thinking

See also

To make landfall I première

© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese. The map I used as part of the artwork is an: © OpenStreetMap contributors. Data is available under the Open Database License. The molucela is generated by from Jmol, an Open Source molecular viewer licensed under the GNU Lesser General Public License. The E-mail client is Thunderbird, under Mozilla Public License.

Context: Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia.

Format: time-based art

Topics: Fuel Transportation, Energy Industry, Natural Gas, Fuel Access, Geopolitical Balance, Magical Thinking

See also

I (don't) know the spell première

© VFMarrese, “I (don't) know the spell”, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

Context: Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine.

Format: time-based art

Topics: Rational Vs Emotion, Internet Technologies, Performance Art, Magical Thinking, Emotional Behaviors, Art and Rituals

See also

Good to eat (fragment)

© VFMarrese, “Good to eat (fragment)”

Context: photo in studio; first showcased: Galerie die 8, Kalbe (Milde), Germany

Format: installation art

Topics: Anthropology, Food Studies, Ritual, Mythology, Ritual Meal, Christian Eucharist, Blood and Birds, Art and Science, Bird Myth

See also

Achilles and Tortoise, Kornieieva-Marrese duo, re-enactment with variations

© VFMarrese, “Achilles and Tortoise”, re-enactment with variations, performed three times, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany, photo by William “Bilwa” Costa

Context: PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany.

Format: time-based art

Topics: Identity Fragmentation, Body Perception, Internet Technologies, Time Zones, City Context, Communication Paradox

See also

Achilles and Tortoise, Kornieieva-Marrese duo, re-enactment

© VFMarrese, “Achilles and Tortoise”, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia, photo by Syporca Whandal

Context: IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia.

Format: time-based art

Topics: Identity Fragmentation, Body Perception, Internet Technologies, Time Zones, City Context, Communication Paradox

See also

Achilles and Tortoise, Kornieieva-Marrese duo, première

© VFMarrese, “Achilles and Tortoise”, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia, photo by Daniela Beltrani

Context: IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia.

Format: time-based art

Topics: Identity Fragmentation, Body Perception, Internet Technologies, Time Zones, City Context, Communication Paradox

See also

Der Weg der Kohle première

© VFMarrese, “Der Weg der Kohle”, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany, photo by Tetiana Kornieieva

Context: Festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany.

Formats: time-based art, installation art

Topics: Social Change, Power Plant Museums, Innovative Art Platform, Fossil Fuel, Magic Door

See also

post performance re-enactment with variations

© VFMarrese, “post performance”, re-enactment with variations, “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina, frame by Vincenzo Fiore Marrese

Context: APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina.

Format: time-based art

Topics: Performance Art Questions, Medium of Performance Art, Online Social World

See also

post performance première

© VFMarrese, “post performance”, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany, frame by Vincenzo Fiore Marrese

Context: PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany.

Format: time-based art

Topics: Performance Art Questions, Medium of Performance Art, Online Social World

See also

Cordone, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, première

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

Context: Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine.

Format: time-based art

Topics: Ukrainian and Italian Languages, Word Loans, Cross Cultural Influence, Language Pronunciation, Language Meanings

See also

It's time, artistic collaboration with Dagmar I. Glausnitzer-Smith, première

© VFMarrese, “It's time”, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese

Context: IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia.

Format: time-based art

Topics: Artistic Interaction, Collision of Actions, Harmony in Diversity, Two Worlds of Experience

See also

I don’t think you realise what I’m talking about

© VFMarrese, “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh, frame by Vincenzo Fiore Marrese

Context: Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh.

Format: new media art

Topics: Complexity in Art, Edgar Morin Philosophy, Relationship Reorganization, Nature Representation, Individual Society Species, Nature Exceeds Machines, Discovering Complexity

See also

Community Standards première

© VFMarrese, Moving Bodies, Festival online_Blu Notte, filmed in Kattegat, Berlin, digital commission, Teatro Espace, Turin, Italy, frame by Vincenzo Fiore Marrese

Context: Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy.

Format: time-based art

Topics: Facebook Community Standards, Violence and Criminal Behavior, Self Domestication Hypothesis

See also

People also ask première

© VFMarrese, “People also ask”, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany, photo by Sanford Wintersberger

Context: How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany.

Format: time-based art

Topics: Human Self Domestication Hypothesis, Search Engine Semantics, Google Search Results, People Also Ask

See also

Body’s Law re-enactment with variations, performed three times

© VFMarrese, “Body’s Law”, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum

Context: PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Strike re-enactment with variations

© VFMarrese, “Strike”, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

Context: IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia.

Format: time-based art, participatory art

Topics: Gamification of Warfare, War and Children, Toy Drones, Drones in War

See also

Body’s Law re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

Context: Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Strike première

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, photo by Patricia Thomas. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

Context: Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany.

Format: time-based art, participatory art

Topics: Gamification of Warfare, War and Children, Toy Drones, Drones in War

See also

Suspended Sentence première

© VFMarrese, “Suspended Sentence”, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese

Context: Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy.

Format: time-based art

Topics: Colonialism in Art, Botanical Gardens, Exotic Plants, Sound Mapping, Pollution Reflection, Environmental Concerns

See also

Body’s Law re-enactment with variations, performed three times

© VFMarrese, “Body’s Law”, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic, photo by Vincenzo Fiore Marrese

Context: Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Body’s Law re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

Context: D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Pull it Down (Put it Down) première

© VFMarrese, “Pull it Down” (“Put it Down”), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács

Context: Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic.

Format: time-based art

Topics: Technology in Art, Body's Movements, Taser Weapon, Police Weaponry, Biological Reactions, Body Control, Law Enforcement Technology

See also

Body’s Law re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

Context: Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Body’s Law re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival

Context: Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Body’s Law première

© VFMarrese, “Body’s Law”, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia, photo by Luchana Logina

Context: Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Body’s Law sneak preview

© VFMarrese, “Body’s Law”, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom, photo by Linda Salvadori

Context: Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom.

Format: time-based art, sound art

Topics: Body's Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body's Movement

See also

Across the Body re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy, photo by Linda Salvadori

Context: XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

Across the Body re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway, photo by Linda Salvadori

Context: PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

Across the Body re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Linda Salvadori

Context: On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

Across the Body re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy, photo by Vittoria Maria Mattioli

Context: La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

Across the Body re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany, frame by Vincenzo Fiore Marrese

Context: Kesselhaus of Marzahn, Berlin, Germany.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

Across the Body re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy, photo by Alberto Frosini

Context: Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

Across the Body première

© VFMarrese, “Across the Body”, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy, photo by Vittoria Maria Mattioli

Context: Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy.

Format: time-based art

Topics: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life

See also

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