Vincenzo Fiore Marrese

Portfolio

A selection of artworks. The order is not necessarily chronological. Scroll down or check the page index. You can also take a look at the current work in progress.

To make landfall I, première

© VFMarrese, “To make landfall I”, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia, frame by Vincenzo Fiore Marrese

Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia.

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I (don't) know the spell, première

© VFMarrese, “I (don't) know the spell”, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine.

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Aesthetic regulations, artwork launch

© VFMarrese, “Aesthetic regulations”, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany, photo in studio by Vincenzo Fiore Marrese

Within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany.

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Reorder power structures, première in three chapters, chapter three

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.

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Reorder power structures, première in three chapters, chapter two

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Vincenzo Fiore Marrese

Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.

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Reorder power structures, première in three chapters, chapter one

© VFMarrese, “Reorder power structures”, première in three chapters, festival “preserve memories - provide energy”, Liebig12, Berlin, Germany, photo by Tetiana Kornieieva

Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany.

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About age-based targeting, première, re-enactments, re-enactments with variations

© VFMarrese, “About age-based targeting” première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway, photo by Kobie Nel

PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway.

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Achilles and Tortoise, Kornieieva-Marrese duo, re-enactment with variations

© VFMarrese, “Achilles and Tortoise”, re-enactment with variations, performed three times, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany, photo by William “Bilwa” Costa

PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany.

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Achilles and Tortoise, Kornieieva-Marrese duo, re-enactment

© VFMarrese, “Achilles and Tortoise”, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia, photo by Syporca Whandal

IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia.

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Achilles and Tortoise, Kornieieva-Marrese duo, première

© VFMarrese, “Achilles and Tortoise”, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia, photo by Daniela Beltrani

IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia.

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Der Weg der Kohle, première

© VFMarrese, “Der Weg der Kohle”, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany, photo by Tetiana Kornieieva

Festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany.

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post performance, re-enactment with variations

© VFMarrese, “post performance”, re-enactment with variations, “post performance”, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, filmed in Kattegat, Berlin, digital commission, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, Buenos Aires, Argentina, frame by Vincenzo Fiore Marrese

APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina.

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post performance, première

© VFMarrese, “post performance”, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany, frame by Vincenzo Fiore Marrese

PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany.

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Cordone, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, première

© VFMarrese, “Cordone”, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine.

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It's time, artistic collaboration with Dagmar I. Glausnitzer-Smith, première

© VFMarrese, “It's time”, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese

IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia.

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I don’t think you realise what I’m talking about, computer-based art

© VFMarrese, “I don’t think you realise what I’m talking about”, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh, frame by Vincenzo Fiore Marrese

Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh.

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Community Standards, première

© VFMarrese, Moving Bodies, Festival online_Blu Notte, filmed in Kattegat, Berlin, digital commission, Teatro Espace, Turin, Italy, frame by Vincenzo Fiore Marrese

Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy.

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People also ask, première

© VFMarrese, “People also ask”, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany, photo by Sanford Wintersberger

How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany.

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Body’s Law, re-enactment with variations, performed three times

© VFMarrese, “Body’s Law”, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway, photo by Bjarte Bjørkum

PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway.

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Strike, re-enactment with variations

© VFMarrese, “Strike”, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia, frame by Vincenzo Fiore Marrese. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia.

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Body’s Law, re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy, photo by Emanuele Pensavalle

Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy.

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Strike, première

© VFMarrese, “Strike”, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany, photo by Patricia Thomas. I publish, with the permission of his parents, the photo with the child. I don't share the name for privacy reasons. I'm fully thankful for his participation.

Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany.

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Suspended Sentence, première

© VFMarrese, “Suspended Sentence”, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy, photo by Vincenzo Fiore Marrese

Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy.

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Body’s Law, re-enactment with variations, performed three times

© VFMarrese, “Body’s Law”, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic, photo by Vincenzo Fiore Marrese

Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic.

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Body’s Law, re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh, photo by Nowsher Roman

D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh.

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Pull it Down (Put it Down), première

© VFMarrese, “Pull it Down” (“Put it Down”), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic, photo by István Kovács

Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic.

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Body’s Law, re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine, frame by Vincenzo Fiore Marrese

Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine.

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Body’s Law, re-enactment with variations

© VFMarrese, “Body’s Law”, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus, photo by Performensk Festival

Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus.

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Body’s Law, première

© VFMarrese, “Body’s Law”, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia, photo by Luchana Logina

Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia.

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Body’s Law, sneak preview

© VFMarrese, “Body’s Law”, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom, photo by Linda Salvadori

Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom.

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Across the Body, re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy, photo by Linda Salvadori

XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy.

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Across the Body, re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway, photo by Linda Salvadori

PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway.

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Across the Body, re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy, photo by Linda Salvadori

On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy.

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Across the Body, re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy, photo by Vittoria Maria Mattioli

La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy.

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Across the Body, re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany, frame by Vincenzo Fiore Marrese

Kesselhaus of Marzahn, Berlin, Germany.

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Across the Body, re-enactment with variations

© VFMarrese, “Across the Body”, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy, photo by Alberto Frosini

Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy.

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Across the Body, première

© VFMarrese, “Across the Body”, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy, photo by Vittoria Maria Mattioli

Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy.

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Page index

Go back to the top of the page or check the index below.

  • To make landfall I, première, Latitudes Hybridas, Festival Internacional de Performance Art de Santa Cruz de la Sierra, curated by Hector Canonge, filmed in Kattegat and Berlin city, Berlin, digital commission, Performance Art Bolivia, PABA y ARTerial Performance Art APLAB, Centro Boliviano Americano, CBA, Santa Cruz de la Sierra, Bolivia
  • I (don't) know the spell, première, Performance November - Kyiv International performance art days, curated by Tetiana Kornieieva, studio 312, filmed in Kattegat and Berlin city, Berlin, digital commission, AKT, Art-Zavod Platforma, Kyiv, Ukraine
  • Aesthetic regulations, artwork launch within the frame of “krude ohne bude. Eine Abschiedsausstellung”, Projektwohnung „krudebude“, Leipzig, Germany
  • Reorder power structures - chapter three, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
  • Reorder power structures - chapter two, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
  • Reorder power structures - chapter one, première in three chapters, Festival “preserve memories - provide energy”, Liebig12, Berlin, Germany
  • About age-based targeting, première, re-enactments, re-enactments with variations, PAB Performance Art Bergen Open, Hotel Villa Terminus, Bergen, Norway
  • Achilles and Tortoise, re-enactment with variations, Kornieieva-Marrese duo, PAF Performing Arts Festival Berlin, Liebig12, Berlin, Germany
  • Achilles and Tortoise, re-enactment, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, abandoned Motel “Sumice”, Odžaci, Voivodina, West Bačka District, Serbia
  • Achilles and Tortoise, première, Kornieieva-Marrese duo, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
  • Der Weg der Kohle, première, festival “preserve memories - provide energy”, Museum Kesselhaus Herzberge, Berlin, Germany
  • post performance, re-enactment with variations, APAFBA – AUSTRAL Performance Art Festival Buenos Aires, AUSTRAL desde lo VIRTUAL, organized and under the curatorial direction of Hector Canonge in collaboration with local institutions and organizations in Buenos Aires, filmed in Kattegat, Arterial Performance Lab, Centro Cultural Paco Urondo, Facultad de Filosofía y Letras - UBA, Umbral espacio de arte, Zona Imaginaria, filmed in Kattegat, Berlin, digital commission, Buenos Aires, Argentina
  • post performance, première, PAF Performing Arts Festival Berlin, filmed in Kattegat, Berlin, digital commission, Berlin, Germany
  • Cordone, première, artistic collaboration with Live Art Lab: Tetiana Kornieieva and Anton Romanov, Institute of Automation, Nahirna 22, studio 312, Kyiv, Ukraine
  • It's time, première, artistic collaboration with Dagmar I. Glausnitzer-Smith, IMAF International Multimedial Art Festival, filmed in Kattegat, Berlin, digital commission, Novi Sad, Serbia
  • I don’t think you realise what I’m talking about, computer-based art, Bio-Net-Work online based art project, project director Shubho O Saha, curator Sanjid Mahmud, assistant curators Mahmuda Siddika and Afsana Hasan Shejuty, digital commission, Dhaka, Bangladesh
  • Community Standards, première, Moving Bodies, Festival online_Blu Notte, Teatro Espace, filmed in Kattegat, Berlin, digital commission, Turin, Italy
  • People also ask, première, How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin, Poropati, Berlin, Germany
  • Body’s Law, re-enactment with variations, performed three times, PAB Performance Art Bergen Open, Grand Hotel Terminus, Bergen, Norway
  • Strike, re-enactment with variations, IMAF International Multimedial Art Festival, Gallery SULUV, Novi Sad, Serbia
  • Body’s Law, re-enactment with variations, Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019, Teatro Espace, Turin, Italy
  • Strike, première, Spieltrieb, Projektwohnung „krudebude", Leipzig, Germany
  • Suspended Sentence, première, Vital Signs, curated by Pia Cruzalegui, Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
  • Body’s Law, re-enactment with variations, performed three times, Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý, Cross Attic – place for interdisciplinary experiments in performing arts, Prague, Czech Republic
  • Body’s Law, re-enactment with variations, D’Lab | Dhaka Live Art Biennale, Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh
  • Pull it Down (Put it Down), première, Wärmflasche, curated by Antonín Brinda, Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic
  • Body’s Law, re-enactment with variations, Carbonarium - International Performance Art Festival in Kyiv, Art residence Carbon, Kyiv, Ukraine
  • Body’s Law, re-enactment with variations, Performensk - international festival of performative art in Belarus, CCK - Cultural Center Korpus, Minsk, Belarus
  • Body’s Law, première, Rīga Performance Festival: Starptelpa, KKc - Kaņepes Kultūras centrs, Riga, Latvia
  • Body’s Law, sneak preview, Freshly Scratched, Battersea Arts Centre, London, England, United Kingdom
  • Across the Body, re-enactment with variations, XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione, Biblioteca Civica Agorà, Lucca, Italy
  • Across the Body, re-enactment with variations, PAB Performance Art Bergen Open, artistic director Rita Marhaug, Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
  • Across the Body, re-enactment with variations, On Stage Teatro, Officina Giovani - Cantieri Culturali – former slaughterhouse – former refrigerating rooms, Prato, Italy
  • Across the Body, re-enactment with variations, La Polveriera - Spazio Comune – former convent of Sant’Apollonia – cloister, Firenze, Italy
  • Across the Body, re-enactment with variations, Kesselhaus of Marzahn, Berlin, Germany
  • Across the Body, re-enactment with variations, Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci, Luigi Tronci Foundation, Pistoia, Italy
  • Across the Body, première, Discordanze Festival, curated by Luigi Guarnieri, Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy

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